Silhouette Art Cabin Scenes With 2 People Walking Down a Roaf

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Title Screen	Flick Title/Year and Scene Descriptions	Screenshots
	Hail the Acquisition Hero (1944) a fast-paced, mistaken-identity tale and screwball comedy from satirist writer/director Preston Sturges the graphic symbol of medically-excused and humiliated Marines reject Woodrow Truesmith (Eddie Bracken) (for hay fever), who was urged to return to his hometown - to his mother (Georgia Caine) and his ex-girlfriend Libby (Ella Raines) (who was engaged to marry wealthy 4-F reject Forrest Noble (Neb Edwards), the son of the town'due south mayor); he would arrive with the fabricated story that he was wounded in battle and honorably discharged; in San Diego, he met upwardly with a group of veteran Marines merely returned from Guadalcanal, led by conniving Sgt. Julius Heffelfinger (William Demarest), who were supportive and accompanied him on the train to his dwelling, providing him with a uniform and medals to clothing Woodrow's frenzied homecoming arrival in Oakridge, California, where he was embarrassed to be met with a patriotic hero'south welcome (with a statue to be erected in the town square to immortalize his service), with four marching contumely bands (led past an exasperated Reception Commission Chairman (Franklin Pangborn)), and Mayor Noble (Raymond Walburn), Judge Dennis (Jimmy Conlin), and ex-mayoral candidate Doc Bissell (Harry Hayden) there to greet him the called-for of Woodrow'southward mother'south mortgage note by the Reverend Upperman (Arthur Hoyt) Woodrow'southward pleadings that he didn't deserve the accolades and was not a hero, interpreted by the townsfolk as humility Woodrow'south concluding heartfelt speech - the best scene in the film - when he confessed to the deceptions ("If I could reach as loftier equally my father's shoestrings, my whole life would be justified - and I would stand here before yous proudly instead of equally the thief and the coward that I am"); he was ready to get out (when it was discovered that he was a fraud and was discharged a year before), only was bolstered by a new try to have him run as Mayor in an upcoming election because of his courageous honesty ("WIN WITH WOODROW")
	Half Baked (1998) the 'Munchie Run' scene of kindergarten instructor Kenny Davis (Harland Williams) who was deputed to become buy lots of junk food at a grocery store by his stoned roommates - Brian (Jim Breuer) instructed: "Get some sour cream and onion chips with some dip, man, some beefiness jerky, some peanut butter. Get some Häagen-Dazs ice cream bars, a whole lot, make sure chocolate, gotta have chocolate, human being. Some popcorn, red popcorn, graham crackers, graham crackers with marshmallows, the little marshmallows and little chocolate confined and nosotros tin can make s'mores, man....Besides, celery, grape jelly, uh, Cap'n Crunch with the little Crunch berries, pizzas. Nosotros need two large pizzas, man, everything on 'em, with water, whole lotta water, and Funyons"; Thurgood Jenkins (Dave Chappelle) added: "Get me a box of condoms, and, uhm, what'due south that stuff? We used to eat it all the fourth dimension back in the day? Pussy, that's right" after his shopping expedition, Kenny was carrying two large grocery bags of junk food and ii pizza boxes; he spoke to an NYPD cop'south tired, diabetic horse tied up outside the store: "Hey, girl! Ya hungry?" - but a blackness, overweight passerby (Jenni Burke) misinterpreted that he was speaking to her and felt insulted: "F--k yous, nigger!"; he responded: "Hey, I'1000 distressing! I was talkin' to the horse here"
	The Hangover (2009) a vulgar, obscenity-filled quasi-one-act/bromance caper nigh the outlandish adventures of iv guys ("The Wolfpack") in Las Vegas during a one-nighttime bachelor political party: Alan Garner (Zach Galifianakis), the helpmate's perverted and bearded blood brother, Phil Wenneck (Bradley Cooper), a married schoolteacher, Doug Billings (Justin Bartha), the benedict, soon to exist married to Tracy Garner (Sasha Barrese), Alan'south sis, and Stu Price (Ed Helms), a Jewish dentist their enkindling in a spacious, at present-wrecked hotel villa at Caesar's Palace the following morning after a search for the missing Doug, with severe hangovers (and no memory) of what had occurred the nighttime before after jubilant with a rooftop toast; they constitute a burned couch, a babe, a tiger, a chicken, and more than the candid digital snapshots and the retracing of their steps to reveal what had happened to the group during their long evening together Stu'south participation in a marriage anniversary in Vegas' THE BEST Niggling CHAPEL (run by Eddie), hitching up with a stripper/escort named Jade (Heather Graham) who was the unmarried female parent of baby Tyler left in their villa's cupboard the scene of a strange, naked, feisty and gay Asian gangster Leslie Chow (Ken Jeong) who was locked in their car's trunk, jumped out and began beating them up with a crowbar; as the naked guy (with a small-scale penis hidden in massive amounts of pubic pilus) wielded the weapon, Alan shouted out: "Nobody's gonna f--yard on you! I'yard on your side! I hate Godzilla! I hate him too! I hate him! He destroys cities! Please! This isn't your fault. I'll get you lot some pants" the Bengal tiger in their hotel villa'south bathroom belonged to boxer Mike Tyson (Himself) and had been taken from his mansion (where they joined the legendary boxer in a sing-forth to Phil Collins' In the Air Tonight) the discovery of Doug - severely sunburned and trapped for a day and a one-half on the roof of Caesar'due south Palace where he had tried to betoken his whereabouts by throwing his mattress from the rooftop onto a statue below Stu's missing front molar that he had pulled out with a pair of pliers every bit function of a dare from Alan the discovery of Grub's $lxxx,000 in Bellagio chips in Doug's pocket the hilarious out-takes in the final credits sequence (to the tune of Flo Rida'due south and Kesha's Right Round), showing what had happened during the previous night - including pictures found in a discarded camera ("Some of it's even worse than we thought"); the group decided to view the pictures together only in one case - "and then nosotros delete the evidence"; the images included Alan passed out next to a topless female person and enjoying a lap dance, and also having his fat belly pierced, partying with Carrot Top, and encounters with Las Vegas singer Wayne Newton and boxer Mike Tyson
	Happy Gilmore (1996) the opening credits sequence of Happy Gilmore (Adam Sandler) in a lengthy voice-over explaining why he was destined to play hockey: "My name is Happy Gilmore. Ever since I was sometime enough to skate, I loved hockey. I wasn't really the greatest skater though. Simply that didn't stop my dad from teaching me the undercover of smacking the greatest slap shot. My dad worshipped hockey, my mom didn't. That's why she moved to Egypt, where in that location'due south non a hockey rink within 1500 miles. Dad always took me to games to cheer for our favorite player, Terry O'Reilly, the Tasmanian Devil. He wasn't the biggest guy in the league, just he feared nobody, just like me. Handsome fella, huh? He always said that when I grew upwards, I could be anything I wanted to exist, but I never wanted to exist annihilation merely a hockey role player. Yeah, my childhood was goin' great, but life is full of surprises. Afterward the funeral, I was sent to live with my grandma in Waterbury. I was kinda nervous since I really didn't know her that well, but she dressed like Cistron Simmons from KISS to cheer me up. She's the sweetest person in the world. See after my dad died, I adult kinda a brusk fuse. That kid right there just stole my political party blower, and instead of askin' for it back, I felt I had to belt him in the head a bunch of times with a hammer. Expect at me go. But most of the time, I was quick to say I was sorry. During high schoolhouse, I played junior hockey and still hold two league records; most fourth dimension spent in the penalisation box, and I was the simply guy to e'er take off his skate and try to stab somebody. After I graduated, I had a lot of different jobs; I was a road worker, a janitor, a security guard, a gas station attendant, and a plumber. Lately, I've been workin' structure. It's non a bad racket. I'm a pretty proficient shot with a nail gun, just, uh, i 24-hour interval my boss, Mr. Larson, uh, got in the fashion. Evidently he also has a short fuse. Look at that monster. He got a few lucky punches in at that place, but I all the same feel I won the fight. Anyways, those jobs weren't for me. I was put on this planet for 1 reason - to play hockey"
	Harold & Kumar Go to White Castle (2004) in this comedy most ii stoners driving to a White Castle, the scene of Harold Lee (John Cho) and Kumar Patel (Kal Penn) picking up hitchhiking, loftier-on-ecstasy, very horny Neil Patrick Harris (as Himself but out of graphic symbol), and Kumar'due south question about his role as Doogie Howser G.D. on Television set: "So, I gotta ask you Neil, did you always get it on with Wanda off the set?" - he replied: "Dude, I humped every piece of ass ever on that prove" except so he antiseptic that he didn't go all the way with the "hot nurse" Harris offered a proposition: "Dude, I don't even know where the f--thou I am right at present. I was at this political party earlier this night and some guy hooked me up with this incredible "10" - next thing I know, I'm existence thrown out of a moving car. I've been trippin' balls ever since...Forget White Castle, allow'south go go some pussy!...It's a f--king sausage fest in here, bros. Let's get some poontang, and so we'll get to White Castle...I've been peckish burgers, besides. Furburgers. Come on, dudes, permit's pick up some trim at a strip club. The Doogie line always works on strippers. (singing) Lapdance..."
	Harold and Maude (1971) the character of troubled and morbid 20 twelvemonth-old introverted rich kid Harold (Bud Cort) who staged many very realistic, elaborately-faked suicides (hanging by a noose, cut wrists and throat, immolation, shooting, stabbing, drowning, etc.) for his desperate, widowed, socialite domineering mother Mrs. Chasen's (Vivian Pickles) (Vivian Pickles) 'benefit' (and her typical reaction: "I suppose yous think that's very funny") - often in front of dates arranged by her his pretending to chop off his ain left hand at the wrist with a meat cleaver during a dry, irksome brunch with her and Edith Phern (Shari Summers), and his later, mortiferous and precisely-asked question: "Practice you.. like ...knives?" the funny scene in which Harold's over-begetting, match-making mother filled out his computer dating service questionnaire for him: ("Did you bask life when y'all were a child?" -- "Oh yes, you were a wonderful baby, Harold"), while he calmly loaded a revolver to commit fake suicide, and her continual efforts to fix Harold on blind dates subsequently "bride interviews" Harold'due south unlikely dear affair with 79 year old funeral-loving, gratis-spirited Maude (Ruth Gordon) - a concentration-camp survivor that he first met at a stranger's funeral service -- Harold drove a hearse Harold'south response to his ineffectual and detached psychiatrist's query about what he did for fun and enjoyment: "I go to funerals" - with eccentric and gratis-spirited 79 year-old soulmate Maude the scenes of Maude stealing a car and evading a motorcycle cop Harold'south talk with hawkish, crazed, one-armed Uncle Victor (Charles Tyner), "General MacArthur'due south correct-manus man," who recommended that he sign upwardly for Regular army boot military camp immediately, to "take on a homo's chore": "At present, that'southward what this country needs - more Nathan Hales" the incredible scene when Harold performed harakiri in front of his drama educatee date Sunshine Doré (Ellen Geer) who also unwittingly acted out the tragic scene from Romeo and Juliet with her dagger finding its sheath in her chest Harold's growing admiration for Maude: (Harold: "You sure have a way with people." Maude: "Well, they're my species!") the scene of a priest's (Eric Christmas) impassioned warning to Harold nearly having sexual activity with an elderly person: ("I would be remiss in my duty if I did non tell you lot that the thought of intercourse: and the fact of your firm, young body co-mingling with the withered flesh, sagging breasts and flabby buttocks, makes me want to vomit")
	Harvey (1950) the motion-picture show's entire premise: eccentric and cheerful, often inebriated and 42 year-quondam dipsomaniac Elwood P. Dowd (James Stewart) had an invisible friend (identified as a "pooka" or mischievous Celtic-Irish spirit of mythology - "a fairy spirit in animal form") - a giant 6 foot three-and-a-half-inch rabbit named Harvey that accompanied him everywhere; he was oblivious that he was an embarrassment to his family and that others couldn't encounter his hirsuite white friend Elwood had obviously go an embarrassment to his family unit, including Elwood's eccentric older sis Mrs. Veta Louise Dowd Simmons (Josephine Hull), and Veta'south unmarried girl Myrtle Mae Simmons (Victoria Horne) - Elwood'south niece; Elwood was being accused of continually driving people away due to his lunacy, and causing his family members to feel "disgraced" and become social outcasts, while preventing Myrtle from meeting eligible young men as Elwood walked about town, he carefully guided Harvey across a busy street, causing befuddlement among townfolk who saw him talking presumably to himself (they couldn't see his large hirsuite white friend); he oft spent fourth dimension drinking in Charlie's Bar, where he ushered Harvey to a seat at the bar; the bartender Mr. Cracker (Dick Wessel) humored Elwood by acknowledging his friend and accepting his foreign beliefs although Veta questioned Elwood's sanity, she surprisingly and ironically occasionally could see Harvey and acknowledged his presence Veta led efforts to go Elwood committed to an insane asylum, Chumley's Rest, run past Dr. William Chumley (Cecil Kellaway); she convinced Elwood to join her in a drive to the front of the gated establishment; while sitting in the backseat next to Harvey in a taxi driven by Henry Riley (Norman Leavitt), the delusionally-lunatic Elwood caused defoliation when he spoke to Harvey: - Elwood "Charming place, isn't it, Harvey?" - Henry: "Name's Henry." - Elwood: "It's Henry, Harvey." - Henry: "No, only plain Henry." at the sanitarium, the frazzled Veta spoke to Nurse Miss Ruth Kelly (Peggy Dow), and to attending young assistant physician Dr. Lyman Sanderson (Charles Drake) in his office; Veta insisted: "I want him committed out here permanently because I cannot stand some other solar day of that Harvey!"; due to her absurd insinuations nearly her brother and a rabbit, she ashamedly admitted: "Every once in a while, I see this big white rabbit myself! Now, isn't that terrible! And what's more, he'south equally as large as Elwood says he is!"; thinking that she was a mental case herself, Dr. Sanderson decided to immediately admit Veta for treatment instead of Elwood; white-coated orderly Marvin Wilson (Jesse White) was ordered to seize her, and he forcibly carried her over his shoulder to the upstairs ward shortly subsequently, Dr. Chumley realized that Dowd was actually the insane one, then a town-wide search commenced for Elwood to return him to Chumley's; four hours later, Elwood was somewhen tracked downward to Charlie's Bar but establish alone; he asserted to Dr. Sanderson: "Well, I've wrestled with reality for 35 years, Doctor. And I'm happy to state I finally won out over information technology"; he claimed that he had spoken with Dr. Chumley, but the doctor had wandered off with Harvey after several rounds of martinis to another joint; the pleasant and sane-sounding Dowd recalled how he seemed to be able to magically convince Dr. Chumley of Harvey's existence ("At commencement, Dr. Chumley seemed a petty frightened of Harvey, but that gave mode to admiration every bit the evening wore on") Wilson arrived with a policeman and they grabbed Elwood to accept him back to the sanitarium; dorsum at the infirmary, a disheveled, frazzled and slightly paranoid Dr. Chumley (who feared that he was being followed by the invisible presence of Harvey) arrived on pes, entered, and was at that place to meet privately with "crackpot" Dowd in his office Chumley had obviously taken a liking to Harvey, and requested that Harvey exist immune to stay with him for a while (presumably so he could feel a fanciful dream trip to Ohio); Dowd had told him most Harvey's miraculous powers - he could stop time and miraculously ship anyone to a destination: "Did I tell you lot he could stop clocks?... Well, y'all've heard the expression 'His confront would stop a clock'? Well, Harvey can look at your clock and stop it. And y'all can go anywhere you like, with anyone you lot similar, and stay as long equally you similar. And when you get back, not ane minute will accept ticked by....You see, scientific discipline has overcome time and space. Well, Harvey has overcome not simply time and space, simply any objections" Dr. Chumley described his ain perfect, therapeutic two-calendar week destination: Akron, OH, to visit a "cottage campsite" in a beautiful grove of maple trees, accompanied by common cold beer and a pretty, strange, but quiet woman - who later on listening to his deepest, locked-up secrets would call him a "poor, poor matter" equally the film ended, Veta at first complained that Dowd had refused a cure for his rabbit-hallucinations (by an injection of a serum known every bit "Formula 977"): "I don't call up I'd intendance for information technology") over Veta'south objections ("I wish in that location might never be another tomorrow! Not if Myrtle Mae and I accept to go on living with that rabbit! Our friends never come up to see u.s.a. anymore. We have no social life whatever! We've no life at all. We're both perfectly miserable"; merely then to please his older sister, Dowd politely agreed to have the handling in Dr. Sanderson's function when Veta clearly realized that Dowd'south cure would be worse than his disquiet (he would negatively modify and revert back to "a perfectly normal homo, and you lot know what stinkers they are"), she intervened to stop the injection Harvey briefly remained behind with Dr. Chumley (who asked: "Take you ever been to Akron?"), but after an instantaneous trip of ii weeks to Akron, Harvey rejoined Elwood as he walked out of the infirmary's gates toward the bus stop; the two followed backside Veta and Myrtle as they headed into the sunrise, every bit Elwood responded to Harvey: "Well, thank you, Harvey. I prefer yous also"	Elwood Speaking to Harvey in the Backseat of a Taxi Veta Wrongly Admitted to Chumley's Residuum Sanitarium Instead of Elwood - Boot and Screaming Elwood Admiring a Painting of His Invisible Friend-Companion Harvey Dowd's Clarification of Harvey's Miraculous Powers to Dr. Chumley in His Office Dr. Chumley's Description of a Dream Trip to Akron, Ohio All of the Major Characters Dorsum at Chumley'due south Rest Hospital in the Moving-picture show'south Conclusion Catastrophe Image: Elwood Walking with Harvey To the Bus Terminate
	Sky Can Wait (1978) a north updated version of Hither Comes Mr. Hashemite kingdom of jordan (1941) a story about Los Angeles Rams quarterback Joe Pendleton (Warren Beatty) who returned to globe (afterward a premature expiry due to an error past heavenly escort (Cadet Henry)) in the body of a recently-murdered and eccentric billionaire Leo Farnsworth his dilemma: faced with his chief assistant Tony (Charles Grodin) and Leo's scheming wife Julia (Dyan Cannon) - lovers who were plotting to murder him!
	Loftier Anxiety (1977) In Mel Brooks' hilarious comedy - a satirical parody of famous moments and scenes from various Hitchcock films - and his 4th spoof pic after Blazing Saddles (1974), Young Frankenstein (1974), and Silent Movie (1976): the lead starring role of Richard H. Thorndyke (Brooks himself) equally a Hitchcock prototype (a wrongly-accused innocent homo on the run) - a psychiatrist with acrophobia, and the newly-appointed head of the Psycho-Neurotic Institute for the Very, Very Nervous the scene of Thorndyke'south airdrome arrival, when an overly aggressive, screaming adult female (Pearl Shear) rushed at him, but she was only greeting her married man Harry, and Thorndyke's cess of everything highlighted by strident orchestral music: "What a dramatic drome!" Thorndyke's photography-obsessed chauffeur Brophy (Ron Carey) ("I love to take pictures. I'm very photogenic"), who during their drive on an LA freeway, revealed the reason for the expiry of Thorndyke's predecessor: "I recollect Dr. Ashley was the victim of - foul play" - with a swelling of dramatic music on the soundtrack, accompanied by the anachronistic view of the Los Angeles Symphony Orchestra playing on a bus next to them (the gag revealed the difference betwixt a non-diegetic scoring cue and a diegetic one - ane heard by the characters) the devious graphic symbol of Nurse Charlotte Diesel (Cloris Leachman) and her pointy-breasted white uniform and manly mustache (introduced by Dr. Charles Montague (Harvey Korman) as "my correct-paw man, woman"), who had strict rules: "Those who are tardy (to dinner) practice not go fruit cup" - she doubled as a sadistic, Neo-Nazi dominatrix, with whom Montague later had a closet spanking session: (Montague: "I know you lot better than you know yourself. Yous alive for bondage and subject field. Also much bondage, not enough discipline") Thorndyke's ain tooth-brushing tutorial delivered to his own mirror image as he brushed his teeth: ("Upward and down. Up and down. Side, side, side, side, side. In and out. In and out. Side, side, side, side, side (repeated)") the psychiatrist's explanation for Thorndyke'south loftier anxiety over acrophobia - with a flashback to his infancy and his abusive parents, and his insight in an epiphany: "It's not height I'm afraid of. Information technology'southward parents!" the archetype spoof scenes: an assail in a shower (stabbed by an aroused bellhop (Barry Levinson) with a rolled-upwards newspaper and newspaper ink - non blood - running downward the drain, and Thorndyke's quip: "That boy gets no tip"), a scatalogical scene involving a massive horde of pigeons on a park'south jungle-jim that chased (and pooped) on Thorndyke Thorndyke's awkward speech communication to a psychiatric convention in San Francisco, when asked almost his employ of the term "Penis envy"; with two young children in the audience, he had to modify his terms, using "pee-pee envy", "balloons" (for breasts), "number 1 or self-doody" (terms related to toilet training), and the "woo-woo" (for the "female erogenous zone" or womb): "As I was saying, in a globe of predominantly male person-oriented psychology, it was simply natural to make it at the term, pee - Pee, 'Peepee green-eyed'" the re-create-catting of Hitchcock's filming manner or camera angles - a through-the-door tracking shot into a dining room that crashed through the windowed doors, a low-bending shot looking up through a glass coffee table, but obstructed by a carafe, saucers, etc., an overhead shot in a padded cell (with all the actors all of a sudden looking upwards at the camera), and another backwards-moving traveling shot in the final honeymoon scene that literally broke through the wall the obscene telephone phone call scene, when Thorndyke was placing a phone booth call to his beloved interest Victoria Brisbane (Madeline Kahn), a patient's wealthy girl, and he was attacked from behind past assassinator "Braces" (Rudy DeLuca) (a take-off on Bond'south "Jaws"); with the cord wrapped around his throat to strangle him, all he could utter was "Ahhh," "Oooh," and "Uuhh" - subsequently resisting a footling, Victoria interpreted his words as kinky sexual practice talk from an bearding caller and responded: "How did you, uhm, get my room number...What are you wearing?...You're wearing jeans? I'll bet they're tight...Oh my God. You are an creature"; after he killed the attacker, he was able to speak to her, when she backtracked: "I knew it was y'all all the time. I just went forth with it" the climactic tower scene (a replicated and parodied amalgam of Vertigo and Spellbound) with Thorndyke and Victoria caught on a crumbling staircase
	His Girl Friday (1940) a classic one-act - and i of the nigh fast-paced ever made, with numerous quips and wisecracks the frantic, overlapping whirlwind nature of the sophisticated, fast-talking battle of the sexes dialogue (and duel of wits) in the opening scene (and throughout the entire film) between large-city newspaper editor Walter Burns (Cary Grant) and his ex-reporter/ex-wife Hildy Johnson (Rosalind Russell); his primary goal was to go along Hildy from getting remarried to a country bumpkin fiancee named Bruce Baldwin (Ralph Bellamy) Walter'south offset meeting with Bruce Baldwin, but at start mistaking an older Mr. Davis in the office as Bruce classic ane-liners such as Hildy'southward description to Bruce of Walter's charm: "Well, he comes past it naturally. His grandfather was a ophidian" the hilarious eatery-dejeuner scene with Walter and Hildy's fiancee - the staid, dull, but devoted insurance salesman Bruce, when Walter deliberately sat between the two of them, and his unending conniving to detect a mode to dislodge Hildy from her imminent marriage and terminate the couple's impending motion to Albany to live in Bruce's mother'southward business firm; his words dripped in irony as he amusedly commented: Walter (sarcastically): "Oh, y'all're gonna live with your mother?...Oh, that will be nice! Yes, yes, a dwelling house with mother - in Albany too!"
	Home Alone (1990) the scene of eight twelvemonth-quondam Kevin McCallister (Macaulay Culkin) slapping too much later-shave to his cheeks - and screaming
	Equus caballus Feathers (1932) the opening scene of Professor Quincy Adams Wagstaff's (Groucho Marx) address to Huxley Higher faculty members and students: ("... As I look over your eager faces, I tin can readily understand why this college is flat on its back. The last college I presided over, things were slightly different. I was flat on my back. Things kept going from bad to worse simply we all put our shoulders to the wheel and it wasn't long before I was apartment on my back once more") Wagstaff's opening musical number: "I'm Against Information technology" the sequence at a speakeasy where Wagstaff attempted to gauge doorman Baravelli'south (Chico Marx) secret password ("swordfish") Pinky (Harpo Marx) providing a hot cup of coffee from the inside of his glaze for a bum on the street Pinky'southward scene with his equus caballus blocking traffic and a cop who wrote him a ticket the classic Biology classroom scene that degenerated into a peashooter fight betwixt Wagstaff and two unruly students Wagstaff's romancing and serenading of flirtatious "college widow" Connie Bailey (Thelma Todd) with "Everyone Says I Love You" - and their scene in a canoe on a duck pond - and his response to her baby talk: "If icky girl keep on talking that style, big stwong homo's gonna kicking all her teef wight downwards her thwoat" the scene of the attempted kidnap of the two star Darwin College athletes the climactic zany Huxley-Darwin football game (partly inspired past the silent Harold Lloyd classic The Freshman (1925)) involving audible football signals, assistant peels, an elastic band, and a chariot
	Hot Rod (2007) the character of inept, goofy, wanna-be moped-riding stuntman Rod Kimble (Andy Samberg) - with a fake mustache and daredevil costume in his quest to be Evel Knievel - who was in a forest setting (his "quiet place") dancing to the melody of Moving Pictures' Never; in the large extended stunt scene while doing several impressive flips, trampoline jumps, cartwheels, pummel-horse gymnastics moves, and dial-dance routines, he careened over a huge log and suddenly, he began tumbling down the steep mountain grade - FOREVER the scene of Rod and his half-blood brother Kevin Powell (Jorma Taccone) discussing the proper pronunciation of his safe word: 'whiskey' the bizarre "Cool Beans" pseudo rap-vocal when Rod and Kevin together sang the words 'absurd beans' the scene of Rod's hallucinatory "profound out-of-body experience" (after a momentous crash during a jump over 15 school buses) of a grilled cheese sandwich battling against a taco in a heavenly setting; earlier, he had asked love interest Denise (Isla Fisher) who would win such a competition and she answered: 'Grilled cheese, but only in a fair fight. If information technology's prison rules, I'd accept the taco" - he noted: "Wow, that's pretty racist, but right"; now, when he came to consciousness, he told Denise: "Denise, y'all were correct, the taco won"
	Howard the Duck (1986) the clever opening credits sequence set in Howard T. Duck's Marshington DC apartment (3636 Lakeside Dr.) located on a "duck" version of Earth (Duckworld), with duck-versions of everything ("Rolling Egg" Mag, a pic poster for "Breeders of the Lost Stork" with Indiana Drake, Mae Nest and W.C. Fowls in a My Little Chickadee film affiche, Playduck Magazine, etc.) the sudden expulsion of Howard in his armchair into outer space (and his landing in Cleveland) the scene of the interstellar duck Howard saving the life of Beverly Switzler (Lea Thompson), a musician in a struggling punk rock band known every bit Carmine Flop, by declaring: ("That'southward it, no more Mr. Nice Duck"), and fighting off mean street thugs with foreign martial arts: ("Let the female creature go! Every duck's got his limit, and you scum have pushed me over the line...No ane laughs at a master of quack-fu") the sequence of Howard the Duck having a "brewski" at Beverly's flat, and albeit that he was having an identity crunch: ("What I don't know is what the hell I'm doing here! It'south like a bad trip. I mean, talk about an identity crunch"), and then when he fell asleep, Beverly's peek into his wallet, where she found his ID, photos, credit cards (MallardCard and Bloomingducks), cash bills with a duck President, and a safety! the hilarious scene in the Ohio Bureau of Employment Services where Howard was brash about finding a job by a large and outspoken counselor named Cora Mae (Virginia Capers) - alert that she didn't similar dealing with a "slacker" or "misfit" like him: ("They remember that by trapsing in here and looking outlandish, they are not gonna be able to find work....Do you retrieve that by looking controversial, you is never gonna notice a job and just go on coIlecting unemployment and living happy on the public dole. Well, dude, you've got some other thing coming! Because Cora Mae always places her interviewee. I'thousand gonna discover your ass a chore that'll wipe that snarl right off your face up, little - whatever you is. In fact, I call up I got just the position for you! I got a feeling you lot're gonna take to this job similar a duck to water") the strange seduction scene in Beverly's flat when Howard complimented her figure: ("I have developed a greater appreciation for the female version of the man beefcake"); he joined her in bed to watch David Letterman on television, as he suggestively remarked: ("Possibly it's not a man you should be looking for"); she wondered: ("Do you think I might find happiness in the animal kingdom, duckie?") and he proposed: ("Like they say, doll, dearest's strange. We could e'er give it a effort. Hmm?"); she chosen his bluff and began unbuttoning the front of Howard's shirt - equally the feathers in the middle of his head flared up: ("OK, allow's go for it, Mr. Macho...It's just that yous're so incredibly soft and cuddly...I simply tin't resist your intense animate being magnetism"); he expressed his worry: ("Anyway, where volition information technology all lead? Spousal relationship? Kids? A house in the suburbs?"), and equally she began to remove her blouse: ("Allow's just confront information technology, it's fate"), he shied away from intimacy - only they shared a few short kisses, seen in silhouette the long extended scenes (nigh getting Howard back dwelling with a reversed cosmic ray) involving multiple chase scenes and lots of explosions, including Howard and scientist/janitor Phil'due south (Tim Robbins) ride in an ultralight aircraft the character of researcher Dr. Jenning (Jeffrey Jones) becoming possessed while driving: ("Listen, an evil has landed. The world is in bang-up danger...It feels like something inside me gnawing at my guts! What's wrong with me?..The pain. It's like I'm transforming within. I'm agape I'k about to become something else...Something'due south growing within me...Information technology's replicating and superceding all my internal organs!...That monster's shape I saw...It's inside my body...The stop of the world is coming, and I will be the cause of it...I'm not Jenning any more. The transformation is complete. I am now someone else") the scene in Joe Roma's Cajun Sushi restaurant, when the waitress asked the possessed Dr. Jenning about his nutrient order: ("What do you think he'd like to eat?"), with his answer: ("I no longer demand human food...You are about to witness the end of the one-time globe and the birth of the new"); and then he explained his transformation into the Dark Overlord: ("I told you, bird brain, I am not Jenning any more! I am now i of the Dark Overlords of the universe... This night the laser beam hitting the Nexus of Sominus...It lies across the planets. It is a region of demons to which we Dark Overlords were exiled eons agone...Just as you lot were brought downward here accidentally. Tonight, the laser beam released me from that region of demons and pulled me down into that lab...During the explosion, I entered Jenning'due south trunk. So, I have disguised my true grade which would be considered hideous and revoIting hither...This will hateful the extinction of all existing life forms...My powers are growing"); he then showed them the code-central - that he would soon employ that night to activate the light amplification by stimulated emission of radiation spectra scope to bring downwards the other Night Overlords; he ended with the threat: ("Soon the Dark Overlords volition engulf the Earth - Nothing human being will remain hither") - and he soon destroyed much of the diner: ("If you lot can't stand up the heat, get out of the kitchen") and the scene of the possessed Dr. Jenning driving a truck with Beverly equally his hostage - and at 1 betoken - using his extended tongue to extract ability from the vehicle's dashboard cigarette lighter; he then entered an Frazzle Emissions Testing area, where he used a laser-beam nail from his optics to obliterate other cars - and then joked: "Smog inspection!" the sequence of the Dark Overlord of the Universe (created past George Lucas' special effects sectionalization) transforming into a monstrous scorpion-similar creature Howard's coming to the saving rescue and defeating the monstrous animate being by blowing it to smithereens with an experimental "neutron disintegrator" light amplification by stimulated emission of radiation the film'southward conclusion with Howard (strumming a blood-red electric guitar) and Beverly on-stage and singing together: "Howard the Duck"
I
	I'g No Angel (1933) the film's opening - 1-ring circus and sideshow funfair barker's (Russell Hopton) tempting of a crowded audience, and his introduction of carnival queen and dazzling international pocket-size-time, vamp circus star performer Tira (Mae West) in a sequined, tight-fitting gown: ("Over in that location, Tira, the beautiful Tira, dancing, singing, marvel of the historic period, supreme blossom of feminine pulchritude, the girl who discovered you don't have to have anxiety to exist a dancer") Tira's sauntering entrance on the catwalk and her purring to spectators to follow her behind the curtain: ("A penny for your thoughts....Get the thought, boys....Ya follow me?") the last courtroom scene (Tira was wearing a flooring-length black gown and fur wrap), when she sued lover Jack Clayton (Cary Grant) for breach of promise; she flirted with the judge, and asserted her right to have lots of male acquaintances to her ain lawyer: "Why shouldn't I know guys? I've been around. I travel from coast to coast. A matriarch like me can't make trips like that without meetin' some of the male population" her self-defense force when she acted every bit her own lawyer, and at ane signal quipped: ("How'm I doin'?"); with her hands on her hips, she sashayed in front end of the male jury, and cantankerous-examined many male witnesses earlier having the case dismissed the court scene ended with a risque one-liner and memorable quip when she was asked why she knew so many men in her life: "Well, it'southward not the men in your life that counts, it'south the life in your men"
	The In-Laws (1979) a light-hearted, odd-couple comedy with the funny and unpredictable teaming of the title's in-laws: respected, mildly neurotic NYC dentist Sheldon Kornpett (Alan Arkin) and lunatic simply wily CIA agent Vince Ricardo (Peter Falk) all of Vince's wild tales, specially his one about being in the Guatemalan jungle bush-league for nine months in the mid-1950s on a consulting trip - with tse-tse flies the size of eagles that carried off native children: "They have tsetse flies downward there the size of eagles....Actually. In the evening, I would stand in front of my hut and scout in horror as these giant flies would option children off the ground and comport them away....Oh, information technology was an incredible sight. Peasants screaming, chasing these flies down the road, waving brooms. You can imagine the pathetic quality of this. Waving these crudely fashioned brooms at these enormous flies equally they carried their children off to almost certain death...Flies - natives had a proper noun for 'em. Jos Grecos de Muertos. 'Flamenco dancers of decease.'...The enormous flies flapping slowly away into the sunset. Small brown babies clutched in their beaks...A sight I'll never forget. I was stunned. Appalled...Sadly, there is very footling you can practice considering of the tremendous red tape in the bush....Enormous red tape, Sheldon. These flies, for case. They're protected confronting pilferage under the provisions of the Guacamole Human action of 1917" the wild adventure taken past them from Manhattan to a Central American dictatorship (the fictional Latin American commonwealth of Tijada) where they were greeted past Senator Jesus Braunschweiger (Eduardo Noriega), as Vince noted: ("They're all crooks downwardly here. At least this one don't make whatever bones near information technology"); suddenly the Senator was shot dead past snipers, and Sheldon asked: "Is he dead?" Vince replied: "If he'south live, he's puttin' on a hell of an act, own't he?"; every bit they fled from the random gunfire to escape, Vince yelled out that they should not run in a directly line, but employ a serpentine weaving blueprint, while retrieving the motorcar keys from the dead human'southward pocket: "Serpentine Shelly. Serpentine!" Tijada'southward leader: counterfeiter General Garcia's (Richard Libertini) who proposed a new national flag - a portrait of himself alongside a topless local native hamlet prostitute, with his complaint: "If it was not for the church, this flag would already today be flying at the U.N. Only no, they stand in the style, THEY Stand up IN THE WAY!" the firing squad scene (with a chorus of sharpshooting executioners), when Vince and Shelly demanded blindfolds and cigarettes, and Shelly'southward dismay: "Oh, oh, am I shot, am I shot?" - when gunfire was heard from a rescue team of CIA agents the concluding scene at the nuptials, when the ii in-laws were confronted by Vince's fellow CIA amanuensis Barry Lutz (Ed Begley, Jr.), who hadn't been formally invited; Shelly apologized: "It'south simple. We counted incorrect, Bar...We just fabricated a fault....In the counting of the invitations." And then Barry said that he was only "ribbing" them, and presented them with a $50 savings bond from the agency, as the anniversary began - and a bi-aeroplane trailing a "HAPPY Nuptials" sign dropped balloons
	The Interview (2014) the conversation between talk show host Dave Skylark (James Franco) and Aaron Rapaport (Seth Rogen), his bear witness producer: - Aaron: "What is at that place to be jealous of?" - Dave: "F--kers hate us 'cause they ain't us!" - Aaron: "They hate us 'cause nosotros anus? What the f--thou does an anus accept to do with this?" - Dave: "They hate united states 'crusade they Own'T usa!" - Aaron: "That's non what it is!"
	It Happened I Night (1934) the pursuit of spoiled runaway heiress Ellie Andrews (Claudette Colbert) past recently-fired, scheming and self newspaperman Peter Warne (Clark Gable) - a tale of two mismatched individuals the "Walls of Jericho" scene when the two were separated in their shared twin bedroom in an autocamp by a clothesline and a coating: (Peter: "Well, I similar privacy when I retire. Yep, I'g very delicate in that respect. Prying eyes annoy me. Behold the walls of Jericho! Uh, maybe non as thick as the ones that Joshua blew down with his trumpet, but a lot safer. You lot see, uh, I have no trumpet"); she fled to her side when he afterward warned: ("...you got nothin' to worry most. The walls of Jericho will protect yous from the big bad wolf") Peter also provided a lesson on how men undress, and bared his chest without an undershirt: "You know, it's a funny thing about that. Quite a study in psychology. No two men do it alike. Yous know, I once knew a man who kept his hat on until he was completely undressed. Now he made a flick. Years afterward, his secret came out. He wore a toupee. Yes. I have a method all my own. If you discover, the coat came starting time, so the necktie, then the shirt. At present, uh, co-ordinate to Hoyle, after that, the, uh, pants should be next. There's where I'm different..." and later, Peter's breakfast lesson on how to dunk donuts and how existent folks eat: ("Dunking's an fine art. Don't permit it soak so long. A dip and (he stuffed the donut in his mouth) plop, in your oral cavity. Let information technology hang there too long, it'll get soft and fall off. Information technology's all a matter of timing. Aw, I oughta write a book about information technology") the scene of their charade of two nosy private investigators by impersonating a make-believe, quarreling married couple - he berated her for flirting with a "large Swede" on the Elks' dance floor and so insulted her: ("You lot're just like your old man. Once a plumber's girl, ever a plumber's daughter. There'south not an ounce of brains in your whole family"); when the flabbergasted detectives left, the machine-camp manager commented: "I told you lot they were a perfectly nice married couple" the thumb vs. bear witness-some-leg hitchhiking technique scene at the side of the route; Peter condescendingly lectured Ellie: ("It's all in that ol' thumb, run into?...that ol' thumb never fails. It'south all a matter of how you lot do it, though"); after a detailed lecture on the three proper and correct ways that common people hail passing cars while thumb hitchhiking, he failed miserably and she suggested her method: ("Oh, you're such a smart alec. Nobody knows anything but you. I'll cease a machine and I won't use my thumb...It's a organization all my ain") - she provocatively raised her skirt higher up the knee, exposing a shapely, stockinged leg and garter - an immediately effective technique - the side by side car screeched to a halt; she joked: ("Well, I proved once and for all that the limb is mightier than the thumb"); he quipped back: ("Why didn't yous take off all your clothes? You could have stopped forty cars")
	Information technology's a Souvenir (1934) In managing director Norman Z. McLeod's very funny one-act: the hilarious grocery shop sequences (with a number of slapstick segments and sight gags) involving bumbling New Jersey shop owner Harold Bissonette (W. C. Fields) and his incompetent shop clerk Everett Ricks (Tammany Immature) Bissonette's eccentric patrons included a disruptive and grumpy Mr. Jasper Fitchmueller (Morgan Wallace) who kept requesting "10 pounds of kumquats - and I'yard in a hurry", a cantankerous, bullheaded/deaf and subversive Mr. Muckle (Charles Sellon) - a house-detective wearing sunglasses and wielding a cane, and Baby Ellwood Dunk (Infant LeRoy) spreading molasses all over the floor; all the while, Harold rushed around responding to an increasingly-exasperated Mr. Fitchmueller, promising: "Coming, coming..." every bit Muckle approached the store, Bissonette screamed out to Everett: "Open the door for Mr. Muckle" - knowing that full-scale destruction of the store was about to happen; unable to get to the airtight front door in time to open up information technology, the irrascible old Muckle smashed its plate glass window with his wildly waving cane, shouting out: "You lot got that door closed again!" with an ear trumpet, the hard-of hearing Muckle only purchased a stick of chewing gum after a prolonged, difficult conversation with Harold - and then proceeded to destroy a display of lite bulbs that exploded as they dropped to the floor; when leaving the store after enervating the delivery of the mucilage, Muckle successfully smashed the other forepart door's window on his style out, cheerfully adding: "Well, you lot got that door closed again!" a later tour-de-force episode: the funny sequence of the bedeviled Harold'due south continued attempts to peacefully sleep on his faulty back porch swing while bothered past a milkman and his rattling glass milk bottles (Harold requested: "Please finish playing with those sleigh bells, will ya?"), a coconut noisily bouncing downwards the steps, an insurance salesman (T. Roy Barnes) looking for Carl LaFong, by Babe Dunk dropping grapes on him ("Right on the proboscis!" and his exclamation: "Shades of Bacchus!"), a chattering, sing-song repartee-conversation between young Miss Abby Dunk (Diana Lewis) and her female parent about whether she should purchase ipecac or syrup of squill for Baby Dunk, a squeaky clothesline, and a noisy vegetable/fruit vendor (Jerry Mandy) Harold'south conversation with the salesman was priceless: - Salesman: Carl LaFong, Capital L, small a, capital F, small o, minor n, small g. LaFong. Carl LaFong. - Harold: No. I don't know Carl LaFong - Capital L, small a, Capital letter F, small o, small northward, small g. And if I did know Carl LaFong, I wouldn't admit information technology! the entire California trip sequence - Bissonette's dreamland where he imagined owning an orange grove - including their family unit picnic scene (not at a camp or picnic grounds, but on the private lawn of an sectional mansion) where they littered everything with garbage and pillow feathers their arrival at Harold's property - located in a disaster expanse - a dessicated section of sunbaked desert land with a "Tobacco Road" ramshackle shack on it - although due to proficient fortune, the worthless country was immediately purchased past a developer for a race-track and grandstand for a windfall amount of $44,000!- in the final scene, a triumphant, vindicated and relaxed Harold was on the porch of his new prosperous holding: "Bissonette's Blue Bird Oranges" where he was mixing screwdriver cocktails and lazily reaching out and effortlessly plucking an orangish from a nearby lush tree
	It'south A Mad Mad Mad Mad World (1963) an epic-length route-trip comedy known for its all-star cast and its many quick-cut cameo performances, including Jack Benny, the Three Stooges, Sterling Holloway, Andy Devine, Joe East. Chocolate-brown, Jerry Lewis, Don Knotts, Buster Keaton, Arnold Stang, Zasu Pitts, and Carl Reiner amongst many others the film's premise: the mad-cap dash for $350,000 allegedly buried in Santa Rosita Country Park near the Mexican border nether "The Large W" - the cash was stolen from a tuna mill fifteen years earlier by ex-convict "Smiler" Grogan (Jimmy Durante), who literally "kicked the bucket" after a car crash, simply was able to reveal the treasure's location during his terminal words: "Await, at that place's this dough, see? In that location's all this dough, $350 Gs! Do you hear what I'yard sayin'? $350 Gs! In the park, in Rosita, Rosita Beach Land Park but south of Dago in Santa Rosita. It's in this box buried nether this...buried under this big Due west. You'll come across information technology. You'll run across it under this, nether this big W. Ya can't miss it, a large, a big W. And it'southward been there, and it's been layin' there for 15 years....You lot simply drive downwards and dig it up. Dig information technology all up. And then, and and so ya fix yourselves all upward. Fix yourselves all up. Walk downwards the street like a king, dorsum to the erstwhile neighborhood. Meet the fellas, the dames, the dames, all with a large hello, a big hello for sometime Smiler. Adept onetime Smiler - everybody'southward friend" past airplane, car, and other modes of transportation, the various individuals and groups recklessly struggled to get to Santa Rosita Park - for case, truck driver Lennie Pike (Jonathan Winters) was stranded on a road with only a little girl's bicycle to ride; in that location were multiple car crashes and chase sequences, plane mishaps, the destruction of a gas station and hardware store, and one automobile sank crossing a river the many unusual characters, including dim-witted, life-guard son Sylvester Marcus (Dick Shawn), a mama's boy (with his hip-swiveling, laconic girlfriend (Barrie Chase) to the song "31 Flavors" - referring to kissing - performed by the Shirelles) who promised to race to his loud-mouthed mother Mrs. Marcus (Ethel Merman) instead of toward the treasure ("You stay right in that location, because I'm coming, Mom. I'm coming to get you lot right at present, Mom") - she called him "a big, stupid, muscle-headed moron!" for not listening to her the chat between businessman J. Russell Finch (Milton Berle) and Britisher J. Algernon Hawthorne (Terry-Thomas), who spoke out against America and its preoccupation with breasts: "I should be positively astounded to hear of anything that could be said for it. Why, the whole encarmine place is the most unspeakable matriarchy in the whole history of civilization! Look at yourself, and the manner your married woman and her strumpet of a mother push you through the hoop! As far as I tin can come across, American men have been totally emasculated. They're like slaves! They die like flies from coronary thrombosis, while their women sit under hairdryers, eating chocolates and arranging for every second Tuesday to be some sort of Mother's Day! And this positively infantile preoccupation with bosoms. In all my time in this wretched, God-forsaken country, the i thing that has appalled me most of all is this preposterous preoccupation with bosoms. Don't you realize that they accept become the dominant theme in American culture, in literature, advertising and all fields of entertainment and everything? I'll wager y'all annihilation you similar. If American women stopped wearing brassieres, your whole national economic system would plummet overnight" the discovery of the meaning of "The Big W" - four palm copse forming the letter of the alphabet Westward, and the digging upwards of the treasure, presently stolen by Police Captain T.Thou. Culpeper (Spencer Tracy) of Santa Rosita, culminating in many of the treasure-seekers becoming stranded on a fire-escape of a condemned building during the frenzied chase (and the people below were showered with the greenbacks), and individuals were flung in various directions during a death-defying endeavor to rescue them with a burn down-truck's extension ladder the infirmary finale, where the injured and bandaged (many in traction) talked about their fate; Culpeper told them that everyone didn't have to worry considering he would be getting the harshest penalization: ("My wife is divorcing me. My mother-in-constabulary is suing me for damages. My girl is applying to the courts to accept her proper noun changed. My pension has been revoked. And the only reason that you ten idiots will very likely get off lightly, is because the estimate volition have me upwardly there to throw the volume at!...I'd like to remember that erstwhile, maybe 10 or 20 years from at present, there'd be something I could express joy at... Annihilation"); and then, Mrs. Marcus marched into the hospital fly and slipped on a assistant pare, causing everyone to laugh uncontrollably, painfully, and hysterically at the sight - fifty-fifty Culpeper joined in

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